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Gymnastics

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Gymnastics
Highest governing bodyFédération Internationale de Gymnastique (FIG)
First playedBegan in ancient Greece (Sparta and Athens)
Characteristics
ContactNo contact
Mixed-sexNo, separate
TypeSummer sport
Equipment
VenueGymnasium
Presence
Country or regionWorldwide
OlympicYes, Summer Olympics
Gymnastics practice facility at a YMCA

Gymnastics is a type of sport that includes physical exercises requiring balance, strength, flexibility, agility, coordination, artistry and endurance.[1] The movements involved in gymnastics contribute to the development of the arms, legs, shoulders, back, chest, and abdominal muscle groups. Gymnastics evolved from exercises used by the ancient Greeks that included skills for mounting and dismounting a horse, and from circus performance skills.[2]

The most common form of competitive gymnastics is artistic gymnastics (AG); for women, the events include floor, vault, uneven bars, and balance beam; for men, besides floor and vault, it includes rings, pommel horse, parallel bars, and horizontal bar.

The governing body for competition in gymnastics throughout the world is the Fédération Internationale de Gymnastique (FIG). Eight sports are governed by the FIG, including gymnastics for all, men's and women's artistic gymnastics, rhythmic gymnastics, trampolining (including double mini-trampoline), tumbling, acrobatic, aerobic, and parkour.[3] Disciplines not recognized by FIG include wheel gymnastics, aesthetic group gymnastics, TeamGym, and mallakhamba.

Participants in gymnastics-related sports include young children, recreational-level athletes, and competitive athletes at all levels of skill.

Etymology

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The word gymnastics derives from the common Greek adjective γυμνός (gymnos),[4] by way of the related verb γυμνάζω (gymnazo), whose meaning is to "train naked", "train in gymnastic exercise", generally "to train, to exercise".[5] The verb had this meaning because athletes in ancient times exercised and competed without clothing.

History

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Gymnastics can be traced to exercises performed in Ancient Greece, specifically in Sparta and Athens. Exercise of that time was documented by Philostratus'[6] work Gymnastics: The Ethics of an Athletic Aesthetic. The original term for the practice of gymnastics is from the related Greek verb γυμνάζω (gumnázō), which translates as "to train naked or nude," because young men exercised without clothing. In ancient Greece, physical fitness was highly valued among both men and women. It was not until after the Romans conquered Greece in 146BC that gymnastics became more formalized and was used to train men in warfare.[7] On the basis of Philostratus' claim that gymnastics is a form of wisdom, comparable to philosophy, poetry, music, geometry, and astronomy,[6] the people of Athens combined this more physical training with the education of the mind. At the Palestra, a physical education training center, the discipline of educating the body and the mind were combined, allowing for a form of gymnastics that was more aesthetic and individual and that left behind the focus on strictness, discipline, the emphasis on defeating records, and a focus on strength.[8]

color lithograph of the bust of an elderly white man with a bald head except for long white hair on the sides of his head and a long beard that extends to his average breast. His white collar is visible above a simple black coat. His eyes are locked on the viewer's and his countenance is serious but calm.
Friedrich Ludwig Jahn, the "father of gymnastics"

Don Francisco Amorós y Ondeano—a Spanish colonel born on 19 February 1770, in Valencia, who died on 8 August 1848, in Paris—was the first person to introduce educative gymnastics in France. The German Friedrich Ludwig Jahn began the German gymnastics movement 1811 in Berlin, which led to the invention of the parallel bars, rings, the high bar, the pommel horse and the vault horse.[9]

Germans Charles Beck and Charles Follen and American John Neal brought the first wave of gymnastics to the United States in the 1820s. Beck opened the first gymnasium in the US in 1825 at the Round Hill School in Northampton, Massachusetts.[10] Follen opened the first college gymnasium and the first public gymnasium in the US in 1826 at Harvard College and in Boston, Massachusetts, respectively.[11] Neal was the first American to open a public gymnasium in the US, in Portland, Maine, in 1827.[12] He also documented and promoted these early efforts in the American Journal of Education[13] and The Yankee, helping to establish the American branch of the movement.[14]

Early 20th-century gymnastics in Stockholm, Sweden

The Federation of International Gymnastics (FIG) was founded in Liege in 1881.[15] By the end of the nineteenth century, men's gymnastics competition was popular enough to be included in the first modern Olympic Games, in 1896. From then until the early 1950s, both national and international competitions involved a changing variety of exercises gathered under the rubric, gymnastics, which included, for example, synchronized team floor calisthenics, rope climbing, high jumping, running, and horizontal ladder. During the 1920s, women organised and participated in gymnastics events. Elin Falk revolutionised how gymnastic were taught in Swedish schools beteeen 1910 and 1932.[16] The first women's Olympic competition was limited, involving only synchronized calisthenics and track and field. These games were held in 1928 in Amsterdam.

By 1954, Olympic Games apparatus and events for both men and women had been standardized in a modern format, and uniform grading structures (including a point system from 1 to 15) had been agreed upon. In 1930, the first UK mass movement organization of women in gymnastics, the Women's League of Health and Beauty, was founded by Mary Bagot Stack in London.[17] At this time, Soviet gymnasts astounded the world with highly disciplined and difficult performances, setting a precedent that continues. Television has helped publicize and initiate a modern age of gymnastics. Both men's and women's gymnastics now attract considerable international interest, and excellent gymnasts can be found on every continent.

In 2006, a new points system for Artistic gymnastics was put into play. An A Score (or D score) is the difficulty score, which as of 2009 derives from the eight highest-scoring elements in a routine (excluding Vault), in addition to the points awarded for composition requirements; each vault has a difficulty score assigned by the FIG. The B Score (or E Score), is the score for execution and is given for how well the skills are performed.[18]

FIG-recognized disciplines

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The following disciplines are governed by FIG.

Artistic gymnastics

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Nadia Comăneci in 1976. The artistry and grace of Comăneci and Soviet gymnast Olga Korbut gave the sport global popularity.[19]

Artistic gymnastics is usually divided into men's and women's gymnastics. Men compete on six events: floor exercise, pommel horse, still rings, vault, parallel bars, and horizontal bar, while women compete on four: vault, uneven bars, balance beam, and floor exercise. In some countries, women at one time competed on the rings, high bar, and parallel bars (for example, in the 1950s in the USSR).

In 2006, FIG introduced a new point system for artistic gymnastics in which scores are no longer limited to 10 points. The system is used in the US for elite level competition.[18] Unlike the old code of points, there are two separate scores, an execution score and a difficulty score. In the previous system, the execution score was the only score. It was and still is out of 10.00, except for short exercises. During the gymnast's performance, the judges deduct this score only. A fall, on or off the apparatus, is a 1.00 deduction in elite level gymnastics. The introduction of the difficulty score is a significant change. The gymnast's difficulty score is based on what elements they perform and is subject to change if they do not perform or complete all the skills, or they do not connect a skill meant to be connected to another. Connection bonuses are where deviation happens most commonly between the intended and actual difficulty scores, as it can be difficult to connect multiple flight elements. It is very hard to connect skills if the first skill is not performed correctly. The new code of points allows the gymnasts to gain higher scores based on the difficulty of the skills they perform as well as their execution. There is no maximum score for difficulty, as it can keep increasing as the difficulty of the skills increase.

Competitive events for women in artistic gymnastics

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Piked Tsukahara vault
Vault
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In the vaulting events, gymnasts sprint down a 25 metres (82 ft) runway, to take off onto a vault board (or perform a roundoff or handspring entry onto a vault board), to land momentarily inverted on the hands on the vaulting horse or vaulting table (pre-flight segment), then propel themselves forward or backward off that platform to a two-footed landing (post-flight segment). Every gymnast starts at a different point on the vault runway depending on their height and strength. The post-flight segment may include one or more multiple saltos, or twisting movements. A round-off entry vault, called a Yurchenko, is a commonly performed vault in the higher levels in gymnastics. When performing a Yurchenko, gymnasts round-off so their hands are on the runway while their feet land on the vault board. From the round-off position, the gymnast travels backward so that the hands land on the vaulting table. The gymnast then blocks off the vaulting platform into various twisting and/or somersaulting combinations. The post-flight segment brings the gymnast to her feet. Less difficult vaults include taking off from the vault board with both feet at the same time and either doing a front handspring or round-off onto the vaulting table.

In 2001, the traditional vaulting horse was replaced with a new apparatus, sometimes known as a tongue, horse, or vaulting table. The new apparatus is more stable, wider, and longer than the older vaulting horse, approximately 1 m in length and 1 m in width, giving gymnasts a larger blocking surface. This apparatus is thus considered safer than the vaulting horse used in the past. With the addition of this new, safer vaulting table, gymnasts are attempting more difficult vaults.[20]

Gymnast on uneven bars
Uneven bars
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On the uneven bars, gymnasts perform a timed routine on two parallel horizontal bars set at different heights. These bars are made of fiberglass covered in wood laminate, to prevent them from breaking. In the past, bars were made of wood, but the bars were prone to breaking, providing an incentive to switch to newer technologies. The height of the bars may be adjusted by 5 cm to the size needed by individual gymnasts, although the distance between bars cannot be changed for individual gymnasts in elite competition. In the past, the uneven parallel bars were closer together. The bars have been moved increasingly further apart, allowing gymnasts to perform swinging, circling, transitional, and release moves that may pass over, under, and between the two bars. At the elite level, movements must pass through the handstand. Gymnasts often mount the uneven bars using a springboard or a small mat. Gymnasts may use chalk (MgCO3) and grips (a leather strip with holes for fingers to protect hands and improve performance) when performing this event. The chalk helps take the moisture out of gymnasts' hands to decrease friction and prevent rips (tears to the skin of the hands); dowel grips help gymnasts grip the bar.

Balance beam
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Dorina Böczögő performing a one-arm press hold during her balance beam mount, 2013

The gymnast performs a choreographed routine of up to 90 seconds in length consisting of leaps, acrobatic skills, somersaults, turns and dance elements on a padded beam. The beam is 125 centimetres (4 ft 1 in) from the ground, 5 metres (16 ft 5 in) long, and 10.16 centimetres (4.00 in) wide.[21] This stationary object can also be adjusted, to be raised higher or lower. The gymnast begins the 70–90 seconds exercise by mounting the beam by either a vault or a jump. The event requires balance, flexibility, grace, poise, and strength.

Floor
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Gymnast doing a stag leap on floor exercise

The event in gymnastics performed on the floor is called floor exercise. The English abbreviation for the event in gymnastics scoring is FX. In the past, the floor exercise event was executed on the bare floor or mats such as wrestling mats. The floor event now occurs on a carpeted 12m × 12m square, usually consisting of hard foam over a layer of plywood, which is supported by springs generally called a spring floor. This provides a firm surface that provides extra bounce or spring when compressed, allowing gymnasts to achieve greater height and a softer landing after the composed skill. Gymnasts perform a choreographed routine for up to 90 seconds in the floor exercise event. Depending on the level, the gymnast may choose their own routine; however some levels have compulsory routines, where default music must be played. Levels three to six the music is the same for each levels along with the skills within the routine. However, recently, the levels have switched. Now, levels 6–10 are optional levels and they get to have custom routines made. In the optional levels (levels six to ten) there are skill requirements for the routine but the athlete is able to pick her own music without any words. The routine should consist of tumbling passes, series of jumps, leaps, dance elements, acrobatic skills, and turns, or pivots, on one foot. A gymnast can perform up to four tumbling passes, each of which usually includes at least one flight element without hand support. Each level of gymnastics requires the athlete to perform a different number of tumbling passes. In level 7 in the United States, a gymnast is required to do 2–3, and in levels 8–10, at least 3–4 tumbling passes are required.[22]

Scoring
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Scoring for both Junior Olympic and NCAA level gymnastics uses a 10.0 scale. Levels below Level 9 start from a 10.0 automatically if all requirements for an event are met. Levels 9 and 10, and NCAA gymnastics all start below a 10.0 and require gymnastics to acquire bonus points through connections and skills to increase their start value to a 10.0. During a routine, deductions will be made by the judges for flaws in the form of the technique of a skill. For example, steps on landings or flexed feet can range from .05–.1 off, depending on the severity of the mistake.[23]

Competitive events for men in artistic gymnastics

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Floor
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Male gymnasts also perform on a 12meter x 12meter spring floor. A series of tumbling passes are performed to demonstrate flexibility, strength, and balance. Strength skills include circles, scales, and press handstands. Men's floor routines usually have multiple passes that have to total between 60 and 70 seconds and are performed without music, unlike the women's event. Rules require that male gymnasts touch each corner of the floor at least once during their routine.

Chris Cameron on the pommel horse
Pommel horse
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A typical pommel horse exercise involves both single leg and double leg work. Single leg skills are generally found in the form of scissors, an element often done on the pommels. Double leg work, however, is the main staple of this event. The gymnast swings both legs in a circular motion (clockwise or counterclockwise depending on preference) and performs such skills on all parts of the apparatus. To make the exercise more challenging, gymnasts will often include variations on a typical circling skill by turning (moores and spindles) or by straddling their legs (flares). Routines end when the gymnast performs a dismount, either by swinging his body over the horse or landing after a handstand variation.

Still rings
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The rings are suspended on wire cable from a point 5.75 metres (18.9 ft) from the floor. The gymnasts must perform a routine demonstrating balance, strength, power, and dynamic motion while preventing the rings themselves from swinging. At least one static strength move is required, but some gymnasts may include two or three. A routine ends with a dismount.

Vault
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Gymnasts sprint down a runway, which is a maximum of 25 meters in length, before hurdling onto a springboard. The gymnast is allowed to choose where they start on the runway. The body position is maintained while punching (blocking using only a shoulder movement) the vaulting platform. The gymnast then rotates to a standing position. In advanced gymnastics, multiple twists and somersaults may be added before landing. Successful vaults depend on the speed of the run, the length of the hurdle, the power the gymnast generates from the legs and shoulder girdle, the kinesthetic awareness in the air, how well they stuck the landing, and the speed of rotation in the case of more difficult and complex vaults.

Parallel bars
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Men perform on two bars executing a series of swings, balances, and releases that require great strength and coordination. The width between the bars is adjustable depending upon the actual needs of the gymnasts and usually 2 m high.

Horizontal bar
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A 2.8  cm thick steel or fiberglass bar raised 2.5 m above the landing area is all the gymnast has to hold onto as he performs giant swings or giants (forward or backward revolutions around the bar in the handstand position), release skills, twists, and changes of direction. By using all of the momentum from giants and then releasing at the proper point, enough height can be achieved for spectacular dismounts, such as a triple-back salto. Leather grips are usually used to help maintain a grip on the bar, and to prevent rips. While training for this event, straps are often used to ensure that the gymnast does not fall off the bar as they are learning new skills.

As with women, male gymnasts are also judged on all of their events including their execution, degree of difficulty, and overall presentation skills.

Rhythmic gymnastics

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Russian rhythmic gymnast Irina Tchachina stretching in her warm-up before practice

According to FIG rules, only women compete in rhythmic gymnastics. This is a sport that combines elements of ballet, gymnastics, dance, and apparatus manipulation, with a much greater emphasis on the aesthetic rather than the acrobatic. Gymnasts compete either as individuals or in groups. Individuals perform four separate routines, each using one of the four apparatuses—ball, ribbon, hoop, clubs, and formerly, rope—on a floor area. Groups consist of five gymnasts who perform two routines together, one with five of the same apparatus and one with three of one apparatus and two of another; the FIG defines which apparatuses groups use each year.

Routines are given three sub-scores: difficulty, execution, and artistry. Difficulty is open-ended and based on the value given to the elements performed in the routine, and execution and artistry start at ten points and are lowered for specific mistakes made by the gymnasts. The three sub-scores are added together for the final score for each routine.[24]

International competitions are split between Juniors, under sixteen by their year of birth, and Seniors, for women sixteen and over. Gymnasts in Russia and Europe typically start training at a very young age and those at their peak are typically in their late teens (15–19) or early twenties. The largest events in the sport are the Olympic Games, World Championships, European Championships, World Cup and Grand Prix series. The first World Championships were held in 1963, and rhythmic gymnastics made its first appearance at the Olympics in 1984.[25]

Rhythmic gymnastics apparatus

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Evgenia Kanaeva doing a split leap in her hoop routine
Soviet Galima Shugurova performing an attitude balance in her ball apparatus
Ball
The ball may be made of rubber or a similar synthetic material, and it can be of any color. It should rest in the gymnast's hand and not be pressed against the wrist or grasped with the fingers, which incurs a penalty. Fundamental elements of a ball routine include bouncing or rolling the ball.
Hoop
The hoop comes up to about the gymnast's hip. It may be made of plastic or wood, and it may be covered with adhesive tape either of the same or different color as the hoop, which may be in decorative patterns. Fundamental requirements of a hoop routine include rotation of the hoop around the hand or body, rolling the hoop on the body or floor, and the gymnast passing through the hoop.
Ribbon
The ribbon consists of a handle, which may be made of wood, bamboo, or synthetic materials such as fiberglass, and the ribbon itself, which is made of satin. The ribbon is six meters long, and due to its length, it can easily become tangled or knotted; knots must be undone or the gymnast will be penalized. Fundamental elements of a ribbon routine consist of making continuous shapes with the length of the fabric, such as tight circles (spirals) or waves (snakes), and elements called boomerangs, in which the gymnast tosses the handle, then pulls it back by the end of the ribbon and catches it.
Clubs
The clubs may be made of wood or synthetic materials, and they are always used in a pair. They may be connected together by inserting the end of one club into the head of the other. The handles and bodies are typically wrapped with decorative tapes. Fundamental elements of a clubs routine including swinging the heads of the clubs in circles, small throws in which the clubs rotate in the air, and asymmetrical movements.
Rope
The rope is made from hemp or a similar synthetic material; it can be knotted and have anti-slip material at the ends, but it does not have handles. The fundamental requirements of a rope routine include leaping and skipping. In 2011, the FIG decided to eliminate the use of rope in senior individual rhythmic gymnastics competitions. It is still sometimes seen in junior group competition.

Men's rhythmic gymnastics

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There are two versions of rhythmic gymnastics for men, neither of which is currently recognized by the FIG. One was developed in Japan in the 1940s and was originally practiced by both boys and girls for fitness, with women still occasionally participating on the club level today. Gymnasts either perform in groups with no apparatus, or individually with apparatus (stick, clubs, rope, or double rings). Unlike women's rhythmic gymnastics, it is performed on a sprung floor, and the gymnasts perform acrobatic moves and flips.[26] The other version was developed in Europe and uses generally the same rules as the women and the same set of apparatus. It is most prominent in Spain, which has held national men's competitions since 2009 and mixed-gender group competitions since 2021, and France.[27][28]

Trampolining

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Double mini-trampoline competitor

Trampolining

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Trampolining and tumbling consists of four events, individual and synchronized trampoline, double mini trampoline, and tumbling (also known as power tumbling or rod floor). Since 2000, individual trampoline has been included in the Olympic Games. The first World Championships were held in 1964.

Individual trampoline
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Individual routines in trampolining involve a build-up phase during which the gymnast jumps repeatedly to achieve height, followed by a sequence of ten bounces without pause during which the gymnast performs a sequence of aerial skills. Routines are marked out of a maximum score of 10 points. Additional points (with no maximum at the highest levels of competition) can be earned depending on the difficulty of the moves and the length of time taken to complete the ten skills which is an indication of the average height of the jumps. In high level competitions, there are two preliminary routines, one which has only two moves scored for difficulty and one where the athlete is free to perform any routine. This is followed by a final routine which is optional. Some competitions restart the score from zero for the finals, other add the final score to the preliminary results.

Synchronized trampoline
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Synchronized trampoline is similar except that both competitors must perform the routine together and marks are awarded for synchronization as well as the form and difficulty of the moves.

Double-mini trampoline
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Double mini trampoline involves a smaller trampoline with a run-up, two scoring moves are performed per routine. Moves cannot be repeated in the same order on the double-mini during a competition. Skills can be repeated if a skill is competed as a mounter in one routine and a dismount in another. The scores are marked in a similar manner to individual trampoline.

Tumbling

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In tumbling, athletes perform an explosive series of flips and twists down a sprung tumbling track. Scoring is similar to trampolining. Tumbling was originally contested as one of the events in Men's Artistic Gymnastics at the 1932 Summer Olympics, and in 1955 and 1959 at the Pan American Games. From 1974 to 1998 it was included as an event for both genders at the Acrobatic Gymnastics World Championships. The event has also been contested since 1976 at the Trampoline and Tumbling World Championships.

Tumbling is competed along a 25-metre sprung tack with a 10-metre run up. A tumbling pass or run is a combination of 8 skills, with an entry skill, normally a round-off, to whips and into an end skill. Usually the end skill is the hardest skill of the pass. At the highest level, gymnasts perform transitional skills. These are skills which are not whips, but are double or triple somersaults (usually competed at the end of the run), but now competed in the middle of the run connected before and after by either a whip or a flick.

Common skills in tumbling
Skill Explanation
Round-off A common entry skill seen in every type of gymnastics to turn horizontal speed into vertical speed. A round-off will most commonly be connected with a back tumbling skill, such as a backflip / back twist, or back handspring.
Dismount The skill competed at the end of a routine, this is either a double/triple somersault, a twisting somersault or a combination somersault.
Back handspring A long somersault where a gymnast moves from feet to hands to feet again in a backwards motion.
Whip A long, low and fast somersault done without the hands. This move is unique to tumbling and the trademark of the discipline.
Double somersault The tumbler launches into the air and rotates twice vertically around before landing on their feet. This skill is done in a tuck, pike or straight position.
Triple Somersault The gymnast launches into the air and rotates three times vertically before landing on their feet. This skill is done in a tuck or pike position and has yet to be competed in the straight position
Twisting somersault A single somersault in which the tumbler rotates horizontally. This is can be done as a single "full" twist, a double twist or a triple twist.
Combination somersault A somersault that is a combination of double/triple and twisting skills. For example, in a double twisting double straight, the gymnast will rotate twice vertically and twice horizontally before landing. The hardest combination somersaults performed would be either the full in triple pike, in which a gymnasts rotates vertically three times in a pike position with a full twist in the first rotation; or "the miller", in which a gymnast rotates horizontally four times and vertically twice.
Transition skill This is where a gymnast performs either a double somersault or a combination somersault in the middle of their run, as opposed to doing it as an end skill. No triple somersaults or combination somersaults involving a triple vertically rotation has yet to be completed.

Competition is made up of a qualifying round and a finals round. There are two different types of competition in tumbling, individual and team. In the team event three gymnasts out of a team of four compete one run each, if one run fails the final member of the team is allowed to compete with the three highest scores being counted. In the individual event qualification, the competitor will compete two runs, one a straight pass (including double and triple somersaults) and a twisting pass (including full twisting whips and combination skills such as a full twisting double straight ’full in back’). In the final of the individual event, the competitor must compete two different runs which can be either twisting or straight but each run normally uses both types (using transition skills).

Acrobatic gymnastics

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Acrobatic women's pair performing a skill

Acrobatic gymnastics (formerly sport acrobatics), often referred to as acro, acrobatic sports or simply sports acro, is a group gymnastic discipline for both men and women. Acrobats perform to music in groups of two, three and four.

There are four international age categories: 11–16, 12–18, 13–19, and Senior (15+), which are used in the World Championships and many other events around the world, including the European Championships and the World Games.

All levels require a balance and dynamic routine; 12–18, 13–19, and Seniors are also required to perform a final (combined) routine.

Currently, acrobatic gymnastics scores are marked out of 30.00 for juniors, and they can be higher at the Senior FIG level based on difficulty:

  • Difficulty – An open score, which is the sum of the difficulty values of elements (valued from the tables of difficulties) successfully performed in an exercise, divided by 100. This score is unlimited in senior competitions.
  • Execution – Judges give a score out of 10.00 for technical performance (how well the skills are executed), which is then doubled to emphasize its importance.
  • Artistic – Judges give a score out of 10.00 for artistry (the overall performance of the routine, namely choreography).

There are five competitive event categories:

  • Women's Pairs
  • Mixed Pairs
  • Men's Pairs
  • Women's Groups (3-woman)
  • Men's Groups (4-man)

The World Championships have been held since 1974.

Aerobic gymnastics

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A mixed pair performing aerobic gymnastics

Aerobic gymnastics (formally sport aerobics) involves the performance of routines by individuals, pairs, trios, groups with 5 people, and aerobic dance and aerobic step (8 people). Strength, flexibility, and aerobic fitness rather than acrobatic or balance skills are emphasized. Seniors perform routines on a 10 m (33 ft) x 10 m (33 ft) floor, with a smaller 7 m (23 ft) x 7 m (23 ft) floor used for younger participants. Routines last 70–90 seconds depending on the age of the participants and the routine category.[29] The World Championships have been held since 1995.

The events consist of:

  • Individual Women
  • Individual Men
  • Mixed Pairs
  • Trios
  • Groups
  • Dance
  • Step

Parkour

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On 28 January 2018, parkour, also known as freerunning, was given the go-ahead to begin development as a FIG sport.[30][31] The FIG was planning to run World Cup competitions from 2018 onwards.[needs update] The first Parkour World Championships were planned for 2020, but were delayed due to the COVID-19 pandemic,[32][33][34] and instead took place from 15 to 16 October 2022 in Tokyo, Japan.[35]

The events consist of:

  • Speedrun
  • Freestyle

Para-gymnastics

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Para-gymnastics, gymnastics for disabled athletes with para-athletics classifications, was recognized as a new FIG discipline in October 2024.[36] As an FIG discipline, it currently only covers artistic gymnastics.[37]

Other disciplines

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The following disciplines are not currently recognized by the Fédération Internationale de Gymnastique.

Aesthetic group gymnastics

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An aesthetic group gymnastics team performing a routine

Aesthetic Group Gymnastics (AGG) was developed from the Finnish "naisvoimistelu". It differs from rhythmic gymnastics in that body movement is large and continuous and teams are larger, and athletes do not use apparatus in international AGG competitions. The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized through the flow, expression and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.[38] The first Aesthetic Group Gymnastics World Championships was held in 2000.[39]

TeamGym

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A TeamGym performance on floor

TeamGym is a form of competition created by the European Union of Gymnastics, originally named EuroTeam. The first official competition was held in Finland in 1996. TeamGym events consist of three sections: women, men and mixed teams. Athletes compete in three different disciplines: floor, tumbling and trampette. Teams require effective teamwork and tumbling technique.[40] There is no World Championships; however, there has been a European Championships held since 2010.[41]

Wheel gymnastics

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A gymnast dismounts the wheel in vault

Wheel gymnasts do exercises in a large wheel known as the Rhönrad, gymnastics wheel, gym wheel, or German wheel. It has also been known as the ayro wheel, aero wheel, and Rhon rod.

There are four core categories of exercise: straight line, spiral, vault and cyr wheel. The first World Championships was held in 1995.[42]

Mallakhamba

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Rope mallakhamba

Mallakhamba (Marathi: मल्लखम्ब) is a traditional Indian sport in which a gymnast performs feats and poses in concert with a vertical wooden pole or rope. The word also refers to the pole used in the sport.

Mallakhamba derives from the terms malla which denotes a wrestler and khamba which means a pole. Mallakhamba can therefore be translated to English as "pole gymnastics".[43] On 9 April 2013, the Indian state of Madhya Pradesh declared mallakhamba as the state sport. In February 2019 the first Mallahkhamb World Championship was held in Mumbai

Non-competitive gymnastics

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General gymnastics, also known as "gymnastics for all", enables people of all ages and abilities to participate in performance groups of 6 to more than 150 athletes. They can perform synchronized, choreographed routines. Troupes may consist of both genders and are separated into age divisions. The largest general gymnastics exhibition is the quadrennial World Gymnaestrada, which was first held in 1939. In 1984 gymnastics for all was officially recognized first as a sport program by the FIG (International Gymnastic Federation), and subsequently by national gymnastic federations worldwide with participants that now number 30 million. Non-competitive gymnastics is considered useful for its health benefits.[44]

Levels

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In the US, gymnastics levels for women called the Junior Olympic (JO) Program begins at 1 and goes to 10. The two kinds of levels are Compulsory (levels 1–5) and Optional (levels 6–10). Each level (1–10) has its own set of unique rules that ascend in difficulty level to level. Elite can follow 10 and is generally considered Olympic level.[45] Men's gymnastics or The Junior Olympic Program consists of ten levels of training or competition with multiple age groups at each level creating opportunities for athletes and coaches to participate and or compete.[46]

Since 2015, Canada has adopted the women's JO Program, with some modifications, for use in the Provinces and Territories.[47]

Scoring (code of points)

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An artistic gymnast's score comes from deductions taken from the start value of a routine's elements. The start value of a routine is based on the difficulty of the elements the gymnast attempts and whether or not the gymnast meets composition requirements. The composition requirements are different for each apparatus. This score is called the D score.[48] Deductions in execution and artistry are taken from a maximum of 10.0. This score is called the E score.[49] The final score is calculated by adding the D and E score.[50]

The current method of scoring, by adding D and E score to give the final score has been in place since 2006.[51] The current method is called "open-end" scoring because there is no theoretical cap (although there is practical cap) to the D-score and hence the total possible score for a routine.[52] Before 2006, a gymnast's final score is deducted from a possible maximum of 10 for a routine.

A Code of Points or guidelines of scoring a routine's difficulty and execution is slightly revised for each quadrennium, or period of four years culminating in the Olympics year.

Landing

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In a tumbling pass, dismount, or vault, landing is the final phase, following take-off and flight[53] This is a critical skill in terms of execution in competition scores, general performance, and injury occurrence. Without the necessary magnitude of energy dissipation during impact, the risk of sustaining injuries during somersaulting increases. These injuries commonly occur at the lower extremities such as cartilage lesions, ligament tears, and bone bruises/fractures.[54] To avoid such injuries, and to receive a high-performance score, proper technique must be used by the gymnast. "The subsequent ground contact or impact landing phase must be achieved using a safe, aesthetic, and well-executed double foot landing."[55] A successful landing in gymnastics is classified as soft, meaning the knee and hip joints are at greater than 63 degrees of flexion.[53]

A higher flight phase results in a higher vertical ground reaction force. Vertical ground reaction force (vGRF) represents an external force which the gymnasts have to overcome with their muscle force and affects the gymnasts' linear and angular momentum. Another important variable that affects linear and angular momentum is the time the landing takes. Gymnasts can decrease the impact force by increasing the time taken to perform the landing. Gymnasts can achieve this by increasing hip, knee and ankle amplitude.[53]

Former apparatus and events

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Rope climbing

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Generally, competitors climbed either a 6m (6.1 m = 20  ft in the US) or an 8m (7.6 m = 25  ft in the US), 38  mm diameter (1.5-inch) natural fiber rope for speed, starting from a seated position on the floor and using only the hands and arms. Kicking the legs in a kind of "tride" was normally permitted. Many gymnasts can do this in the straddle or pike position, which eliminates the help generated from the legs though it can be done with legs as well.

Flying rings

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Flying rings was an event similar to still rings, but with the performer executing a series of stunts while swinging. It was a gymnastic event sanctioned by both the NCAA and the AAU until the early 1960s.

Club swinging

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Club swinging, a.k.a. Indian clubs, was an event in Men's Artistic Gymnastics sometime up until the 1950s. It was similar to the clubs in both Women's and Men's Rhythmic Gymnastics but much simpler with few throws allowed. It was practice. It was included in the 1904 and 1932 Summer Olympic Games.

Other (men's artistic)

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  • Team horizontal bar and parallel bar in the 1896 Summer Olympics
  • Team free and Swedish system in the 1912 and 1920 Summer Olympics
  • Combined and triathlon in the 1904 Summer Olympics
  • Side horse vault in 1924 Summer Olympics
  • Tumbling in the 1932 Summer Olympics

Other (women's artistic)

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  • Team exercise at the 1928, 1936, and 1948 Summer Olympics
  • Parallel bars at the 1938 World Championships
  • Team portable apparatus at the 1952 and 1956 Summer Olympics

Health and safety

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Gymnastics is one of the most dangerous sports, with a very high injury rate seen in girls age 11 to 18.[56] Some gymnastic movements which were allowed in past competitions are now banned for safety reasons.[clarification needed]

Physical injuries

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Compared to athletes who play other sports, gymnasts are at higher than average risk of overuse injuries and injuries caused by early sports specialization among children and young adults.[57][58] Gymnasts are at particular risk of foot and wrist injuries.[59][60] Strength training can help prevent injuries.

Abuse

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There have also been recorded cases of emotional and sexual abuse.[61]

Height concerns

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Gymnasts tend to have short stature, but it is unlikely that the sport affects their growth.[56] Parents of gymnasts tend also to be shorter than average.[56]

See also

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References

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Citations

[edit]
  1. ^ "Gymnastics | Events, Equipment, Types, History, & Facts | Britannica". www.britannica.com. 22 December 2023. Retrieved 2 February 2024.
  2. ^ Magazine, Smithsonian; Solly, Meilan. "A History of Gymnastics, From Ancient Greece to Tokyo 2020". Smithsonian Magazine. Retrieved 29 January 2024.
  3. ^ "About the FIG". FIG. Retrieved 31 May 2019.
  4. ^ γυμνός, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus project
  5. ^ γυμνάζω, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus project
  6. ^ a b Reid, Heather L. (2016). "Philostratus's "gymnastics": The Ethics of an Athletic Aesthetic". Memoirs of the American Academy in Rome. 61: 77–90. ISSN 0065-6801. JSTOR 44988074.
  7. ^ "A History of Gymnastics: From Ancient Greece to Modern Times | Scholastic". www.scholastic.com. Retrieved 8 November 2019.
  8. ^ Judd, Leslie; De Carlo, Thomas; Kern, René (1969). Exhibition Gymnastics. New York: Association Press. p. 17. ISBN 9780809617043.
  9. ^ Goodbody, John (1982). The Illustrated History of Gymnastics. London: Stanley Paul & Co. ISBN 0-09-143350-9.
  10. ^ Leonard, Fred Eugene (1923). A Guide to the History of Physical Education. Philadelphia, Pennsylvania and New York, New York: Lea & Febiger. pp. 232–233.
  11. ^ Leonard, Fred Eugene (1923). A Guide to the History of Physical Education. Philadelphia, Pennsylvania and New York, New York: Lea & Febiger. pp. 235–236.
  12. ^ Leonard, Fred Eugene (1923). A Guide to the History of Physical Education. Philadelphia, Pennsylvania and New York, New York: Lea & Febiger. pp. 227–250.
  13. ^ Leonard, Fred Eugene (1923). A Guide to the History of Physical Education. Philadelphia, Pennsylvania and New York, New York: Lea & Febiger. pp. 235–250. OCLC 561890463.
  14. ^ Barry, William D. (20 May 1979). "State's Father of Athletics a Multi-Faceted Figure". Maine Sunday Telegram. Portland, Maine. pp. 1D–2D.
  15. ^ Artistic Gymnastics History Archived 4 April 2009 at the Wayback Machine at fig-gymnastics.com
  16. ^ "skbl.se - Elin Falk". skbl.se. Retrieved 20 October 2024.
  17. ^ Matthews, Jill Julius (1990). "They had Such a Lot of Fun: The Women's League of Health and Beauty Between the Wars". History Workshop Journal. 30 (1): 22–54. doi:10.1093/hwj/30.1.22. ISSN 1477-4569.
  18. ^ a b "USA Gymnastics – FIG ×Elite/International Scoring". usagym.org. Archived from the original on 4 August 2016. Retrieved 8 September 2014.
  19. ^ "Lost art: Powerhouse physiques winning out over spellbinding grace". Herald Scotland. Retrieved 8 January 2022. Unlike Nadia Comaneci and Olga Korbut, modern gymnasts such as Simone Biles are rewarded for their athleticism more than their artistry... the spellbinding artistry that not only gave the sport its name, but brought it global fame.
  20. ^ "Vault: Everything You Need to know about Vault". Archived from the original on 13 April 2014. Retrieved 4 October 2009.
  21. ^ "Apparatus Norms". FIG. p. II/51. Archived from the original on 19 December 2011. Retrieved 4 October 2009.
  22. ^ "WAG Code of Points 2009–2012". FIG. p. 29. Archived from the original on 19 December 2011. Retrieved 2 October 2009.
  23. ^ Grimsley, Elizabeth (5 January 2013). "Gymnastics 101: What to know about scoring, rankings and more before the next GymDog meet". The Red and Black. Retrieved 7 October 2019.
  24. ^ "2022–2024 Code of Points Rhythmic Gymnastics" (PDF). International Gymnastics Federation. 25 April 2022. Retrieved 5 March 2024.
  25. ^ "FIG - Rhythmic Gymnastics - History". www.gymnastics.sport. Retrieved 24 December 2019.
  26. ^ Galofaro, Claire (7 August 2021). "Left out of Olympics, men's rhythmic gymnasts loved in Japan". AP News. Retrieved 3 August 2024.
  27. ^ López, F.; Del Río, P.; Luna, J. (8 July 2020). "Rubén Orihuela: "Pudimos demostrar que estábamos exactamente igual de capacitados"" [Rubén Orihuela: "We were able to show that we were exactly as able"]. RTVE.es (in Spanish). Retrieved 4 October 2024.
  28. ^ "Rhythmic gymnastics: One man's fight for equality". Christian Science Monitor. ISSN 0882-7729. Retrieved 3 August 2024.
  29. ^ "2022–2024 Code of Points Aerobic Gymnastics" (PDF). International Gymnastics Federation. May 2022.
  30. ^ "Parkour". We Are Gymnastics FIG GYMNASTICS.COM. FIG/International Gymnastics Federations.
  31. ^ "Parkour Rules". We Are Gymnastics FIG GYMNASTICS.COM. FIG. Retrieved 5 February 2018.
  32. ^ "Main decisions from the 18th FIG Council in Istanbul". International Gymnastics Federation. Archived from the original on 14 July 2018. Retrieved 7 August 2024.
  33. ^ "Hiroshima to host 1st FIG Parkour World Championships in 2020". International Gymnastics Federation. 23 August 2019. Archived from the original on 10 January 2022. Retrieved 7 August 2024.
  34. ^ "First FIG Parkour World Championships postponed". www.gymnastics.sport. Retrieved 7 August 2024.
  35. ^ "Parkour | World Championships | Tokyo". olympics.com. Retrieved 7 August 2024.
  36. ^ "Para-Gymnastics recognised as official discipline by Fédération Internationale de Gymnastique in 'game changing' vote". www.british-gymnastics.org. 28 October 2024. Retrieved 28 October 2024.
  37. ^ "85th FIG Congress concludes in Doha". International Gymnastics Federation. 26 October 2024. Retrieved 28 October 2024.
  38. ^ Lajiesittely Archived 21 June 2014 at the Wayback Machine, Suomen Voimisteluliitto.
  39. ^ "World Championships | IFAGG". Archived from the original on 19 August 2020. Retrieved 7 October 2019.
  40. ^ "About TeamGym". British Gymnastics. Retrieved 6 October 2024.
  41. ^ "UEG Gymnastics". UEG Gymnastics. Retrieved 7 October 2019.
  42. ^ "Wheel Gymnastics - rene-heftis Webseite!". Archived from the original on 12 February 2018. Retrieved 11 February 2018.
  43. ^ "Indian roots to gymnastics". NDTV – Sports. Mumbai, India. 6 December 2007. Archived from the original on 10 June 2014.
  44. ^ "Gymnastics For All History". FIG.
  45. ^ "USA Gymnastics women Junior Olympic Program Overview". USA Gymnastics. Retrieved 9 March 2019.
  46. ^ "USA Gymnastics/Men's Jr Olympic Program Overview". USA Gymnastics. Archived from the original on 30 March 2023. Retrieved 9 March 2019.
  47. ^ "Junior Olympic (JO) Competitive Program | Gymnastics Canada". www.gymcan.org. Archived from the original on 25 October 2021. Retrieved 8 May 2021.
  48. ^ "WAG Code of Points 2009–2012". FIG. p. 11. Archived from the original (PDF) on 19 December 2011. Retrieved 2 October 2009.
  49. ^ "WAG Code of Points 2009–2012". FIG. p. 13. Archived from the original (PDF) on 19 December 2011. Retrieved 2 October 2009.
  50. ^ "WAG Code of Points 2009–2012". FIG. p. 14. Archived from the original (PDF) on 19 December 2011. Retrieved 2 October 2009.
  51. ^ "USA Gymnastics | FIG Elite/International Scoring". usagym.org. Archived from the original on 4 August 2016. Retrieved 23 August 2019.
  52. ^ normile, dwight. "It's Time to Really Make the Code of Points Open-Ended". International Gymnast Magazine Online. Retrieved 23 August 2019.
  53. ^ a b c Marinsek, M. (2010). basic lending. 59–67.
  54. ^ Yeow, C., Lee, P., & Goh, J. (2009). Effect of landing height on frontal plane kinematics, kinetics, and energy dissipation at lower extremity joints. Journal of Biomechanics, 1967–1973.
  55. ^ Gittoes, M. J., & Irin, G. (2012). Biomechanical approaches to understanding the potentially injurious demands of gymnastic-style impact landings. Sports Medicine A Rehabilitation Therapy Technology, 1–9.
  56. ^ a b c Bergeron, Michael F.; Mountjoy, Margo; Armstrong, Neil; Chia, Michael; Côté, Jean; Emery, Carolyn A.; Faigenbaum, Avery; Hall, Gary; Kriemler, Susi (July 2015). "International Olympic Committee consensus statement on youth athletic development" (PDF). British Journal of Sports Medicine. 49 (13): 843–851. doi:10.1136/bjsports-2015-094962. ISSN 1473-0480. PMID 26084524. S2CID 4984960. Archived (PDF) from the original on 11 March 2017.
  57. ^ Feeley, Brian T.; Agel, Julie; LaPrade, Robert F. (January 2016). "When Is It Too Early for Single Sport Specialization?". The American Journal of Sports Medicine. 44 (1): 234–241. doi:10.1177/0363546515576899. ISSN 1552-3365. PMID 25825379. S2CID 15742871.
  58. ^ Benjamin, Holly J.; Engel, Sean C.; Chudzik, Debra (September–October 2017). "Wrist Pain in Gymnasts: A Review of Common Overuse Wrist Pathology in the Gymnastics Athlete". Current Sports Medicine Reports. 16 (5): 322–329. doi:10.1249/JSR.0000000000000398. ISSN 1537-8918. PMID 28902754. S2CID 4103946.
  59. ^ Chéron, Charlène; Le Scanff, Christine; Leboeuf-Yde, Charlotte (2016). "Association between sports type and overuse injuries of extremities in children and adolescents: a systematic review". Chiropractic & Manual Therapies. 24: 41. doi:10.1186/s12998-016-0122-y. PMC 5109679. PMID 27872744.
  60. ^ Wolf, Megan R.; Avery, Daniel; Wolf, Jennifer Moriatis (February 2017). "Upper Extremity Injuries in Gymnasts". Hand Clinics. 33 (1): 187–197. doi:10.1016/j.hcl.2016.08.010. ISSN 1558-1969. PMID 27886834.
  61. ^ Fisher, Leslee A.; Anders, Allison Daniel (3 March 2020). "Engaging with Cultural Sport Psychology to Explore Systemic Sexual Exploitation in USA Gymnastics: A Call to Commitments". Journal of Applied Sport Psychology. 32 (2): 129–145. doi:10.1080/10413200.2018.1564944. ISSN 1041-3200. S2CID 149606211.

Sources

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